It’s Election Day in Virginia. I voted early so today’s been spent on more trivial things. Hoping for the best for the state, and as I noted on the socials, it’s Election Day from California to the New York Island.
Hoping for the best.
It’s Election Day in Virginia. I voted early so today’s been spent on more trivial things. Hoping for the best for the state, and as I noted on the socials, it’s Election Day from California to the New York Island.
Hoping for the best.
I recently spent some time reading or re-reading some Robert Bloch stories because some friends and I were chatting about his work.
I have a number of his anthologies tucked away, and I'm gradually picking up the new releases from Valancourt.
I guess I'd failed to notice how many carnival stories Bloch produced, and if we stretch it to amusement parks, there's an interesting cycle.
Reading now brought back a few memories and generated a few Bloch chills as well.
The parish fair when I was a kid still included remnants of the side shows of earlier years. My parents skewed me toward the rides, and we bought Cokes from the Shriners booth and avoiding the more salacious attractions. I suspect even then the Wild Man of Borneo was watered down from the geek shows of prior decades. I have a very vague recollection of a peripheral glimpse of the "wild man" huddled in small cage as we passed an attraction. I believe he was draped in hair and just growling.
I recall some of the carnival art as well, and a few snippets of a barker over a PA, but that's about all I can summon to the surface.
I think I recalled that first after reading and gaining more understanding from Harlan Ellison's essay "The Gopher in the Gilly" in Stalking the Nightmare about his being left behind in jail by a carnival with a true geek who sweated pure alcohol. It's a pretty chilling true tale.
Bloch's "Double Whammy" incorporates the grotesque exploitation of a carnival geek into its mix. It's like a variant on Nightmare Alley but finds a new fate for it's protagonist/cad in EC Comics/karmic destiny fashion.The Animal Fair's maybe the best of the carnival tales, that one a recent re-read for me and even more chilling than when I was a kid.
It's Manson Family inspired and captures some of the same dark chills of "Double Whammy" from a little different character perspective. The final chill
"Freak Show" from 1979 presents almost a walk-through of a sideshow attractions, the freak show as it was known in the day, with a little different turning of the tables as the story progresses. Bloch could aways find a new spint.
"The Girl From Mars," is also a carnival story despite that sci-fi sounding title. It visits similar territory, serves up another cad, also deserving of karma's wry justice. It's original magazine appearance in Fantastic Adventures with art by Rod Ruth.
Family lore’s always held the Williams clan stretched back to Ireland. I’ve visited the Emerald Isle, and
I always had a feeling in visiting Ireland, and even the western shores of Scotland, that I was walking where progenitors had strolled, farmed and fished.
So I was talking to my wife Christine’s aunt on a recent visit, and she mentioned the free FamilySearch website.
I used up free Ancestry searches long ago, dabbling to extent my interest stretched past family lore. A general knowledge seemed enough.
But I dabbled a little more with FamilySearch and opened up a gateway stretching further than I’d imagined on my father’s side. (Ireland seemed to be a branch on his mother’s tree.)
Adjacent footnotes and records seem to confirm the path. The Williamses branch back from my grandfather Sidney Glover Williams Sr. (I’m technically Sidney III) to his father William Milton Williams to David Crockett Williams and his pop Bird and eventually back to Virginia not far from where I live now but then on to England and the merchant and tailor Sydrach Williams. Apparently that Syd visited Italy and ran afoul of the Inquisition at one point.
Before him? It’s back to Wales.
Wales!?
A customs officer said as we showed our passports on the way to Scotland once upon a time that since we’d seen Ireland and were headed for the Highlands, we’d need next to visit Wales to have a complete picture of the UK.
I’m having to rethink homeland a bit because the “Son of Williams” line stretches back to Griffiths and Gruffydds in what was once the county of Caernarvonshire in the Northwest region of Wales.
Maybe some people sailed over from Ireland, but the Gruffydd son of Gwilyms of Penrhyn folk have pretty deep roots in The Land of the Dragon and were involved in moments like the resistance to the Norman Conquest.
All of it brings a bit of awe even as my thinking recalibrates. A little more interest is piqued, at least to explore the history of Wales we didn’t get into that much when I took upper level British history classes in college, thinking I might need that in my writing. I’ll have to do a bit more thinking on identity and heritage than I ever have.
One thing’s for sure. I’m going to have Christine retool the outline for my obituary to include descendant of Welsh kings!
My creativity waned when I was in my corporate marketing job. The environment was toxic for me. I worked a while in the aughts on a novel that didn't come to pass. Ironically, long before Christine would divine our current cat would be named Zoë, the book was to be called Zoë's Missing.
I'd read an article about a young woman in Dallas being abducted, and the diligent efforts of her circle of friends in an artsy and techy area of the city helped keep up awareness until she was rescued. They used the communication tools of the moment in the process.
I thought a novel focused on a circle of tech-savvy friends deploying their skills to save a lost pal might be exciting.
I came up with a backstory that would explain the reason for the kidnapping of the fictional Zoë, things involving her parents and laundered money and things that were not her fault.
I had a couple of slightly older characters in the mix, divorced guy living among the younger people and a widow who'd become friends with the missing girl. By older, then, I mean they were in their '40s.
There was a bit of a love story for them as they worked with young coders and web designers.
Phones with cameras were new and blogs were a thing, and there was one young guy who held movie screenings of obscure flicks he found on DVD. Spider Baby had just been resurrected around then, so that was one he'd shown for its novelty.
I was working with the web by day and navigating how it would be deployed for business and constantly dealing with new developments. I was kind of excited by the elements that were burgeoning, and I was often off to tech conferences in Seattle and hither and yon.
I started reading blogs via an aggregator, many of them created by tech-oriented people in startups and the like.
I followed one young lady's blog for a while because she had a tech degree and was struggling through early jobs, all while planning her wedding, caring for a new cat and shopping.
That blog's long gone, of course, but I ran across it not long ago via the Wayback Machine and read a few passages, some sad moments about the loss of a cat friend. A few other ups and downs with work and family were recounted in short passages as well.
All this was 20 years ago. Made me think as many things do about how fast time flies. Also made me empathize anew a bit, feel the pain of ups and downs for the young lady, now all memory.
Checked around the socials but couldn't really find the blogger nor her husband in the usual places. The zeal of documenting life must have been overtaken by the challenges of life and other concerns.
Helped make me get back to this blog I started around the same time, though.
I'll catch a few more snapshots, for myself or someone else to check somewhere on the other side of here and now.
It's Sunday. I plan to take it a little easy though I've been working a while, focusing on a short story this morning.
I know where it ends and I'm concentrating on making the "getting there" meaningful for the characters.
I read Joyce Carol Oates's novelette "Night-Gaunts" yesterday in a collection of the same name. It's her focus on the path of a fictionalized Lovecraft.
I have often described discovery writing, which I prefer to "pantsing" to finding my away along in the dark with a flashlight gradually illuminating a little more and a little more.
Oates uses POV to describe the writing process of the Lovecraft character, Horace Love, this way:
"For the (now-adult) survivor the experience of writing is like making his way along a path by the light of a quarter-moon: he can see enough of the path before him to make his way safely though in fact he is surrounded by shadows on all sides.
"The gift of `weird sight' is that you see just as much as it is required for you to see. Beyond that, you have no need."
It's a bit more eloquent in the words that fit a Lovecraft character.I'm working on a piece for a themed anthology. Won't say a lot more than that.
It is interesting to work sort of between worlds, with some parameters provided by the theme and the rest open to your work and ideas.
I have the basic concept down, and I've been kind of working with the characters.
I put some more words on the page this morning, introduced a new bit of information and a new bit of character reaction.
I know basically where it's going, but there's still wiggle room.
Wiggle room means also there's a bit of finding your way as well.
Oh well, trying to post a little more just because capturing the snapshots of the process and the day-to-day is handy at times.
It's hard not to be down these days, given the headlines. I've been going to the movies on Tuesdays to take advantage of the discounts on tickets and meals.
I went to see Maxxxine yesterday. I thought it was good and nicely created the '80s cinematic feel. I'm not the first to say it reminded me of Angel.
I saw X when going to the movies still seemed a little more dangerous and thought Ti West really did a lot to revamp and invert slasher tropes. Pearl was pretty interesting too and really did its own thing.
I didn't love Maxxine as much, but it was interesting and had some surprises and a lot of fun touches like the Psycho house.
The theater's been a little more active of late with families taking in Inside Out 2 and Despicable Me 4. Glad to see the place getting some business, and they've been doing fun things like setting up photo op spots.
Yesterday they had a Minion on hand, bouncing around the halls as well.
Before Maxxxine started, the Minion bopped into our theater to look around and give a big wave.
I gave a big wave back, and there was quite a bit of joy in that little bit of goofiness.
Bolstered me to sit back and enjoy the film more than I might have.
Thought this was an interesting poster, channeling maybe more '70s giallos like Torso maybe. The film's got a masked menace part of the time, so I guess that all fits.
I've mentioned not loving self-promotion, but I'm also aware repetition is necessary on a project so I share where I can. It's in marketing textbooks, but I got a personalized lesson once upon a time.
I guess that makes this a story with foreshadowing and everything.
The late great and wonderful C. Dean Andersson (the 𝘏𝘦𝘭 trilogy, 𝘐 𝘈𝘮 𝘋𝘳𝘢𝘤𝘶𝘭𝘢 and much more) and his wife Nina Romberg aka author Jane Archer, once told me of doing a mall signing with the late John Steakley of 𝘈𝘳𝘮𝘰𝘳 and 𝘝𝘢𝘮𝘱𝘪𝘳𝘦$--the one made into a movie by John Carpenter--fame.
Steakley's father was a car salesman, so when someone was dismissive of the work on the signing table, he rose and followed the guy all the way down the mall loudly hawking the work with a continuing spiel about the virtues.
So flash forward a while later, Steakley was master of ceremonies or toastmaster at a con I was attending, okay it was a Coast Con in Biloxi, Miss. Early '90s or so. There were these big gatherings of con attendees and guests on opening night in those days.
A comic I wrote, 𝘛𝘩𝘦 𝘚𝘤𝘢𝘳𝘺 𝘉𝘰𝘰𝘬, was the new thing I had out in the moment so when Steakley introduced me, I mentioned that.
"What was that title again?" he asked, tipping a microphone to his lips then pointing it back at me.
"Er, 𝘛𝘩𝘦 𝘚𝘤𝘢𝘳𝘺 𝘉𝘰𝘰𝘬."
"𝘛𝘩𝘦 𝘚𝘤𝘢𝘳𝘺 𝘉𝘰𝘰𝘬 you say. Interesting. So everyone should know about 𝘛𝘩𝘦 𝘚𝘤𝘢𝘳𝘺 𝘉𝘰𝘰𝘬?"
"Sure, it'd be nice."
"Excellent, so what was that title again?"
I said it a little louder and with more assurance: "𝘛𝘩𝘦 𝘚𝘤𝘢𝘳𝘺 𝘉𝘰𝘰𝘬."
"𝘛𝘩𝘦 𝘚𝘤𝘢𝘳𝘺 𝘉𝘰𝘰𝘬. Well great. 𝘛𝘩𝘦 𝘚𝘤𝘢𝘳𝘺 𝘉𝘰𝘰𝘬!"
He kept the riff going a while, proving everything Dean had described, repeating 𝘛𝘩𝘦 𝘚𝘤𝘢𝘳𝘺 𝘉𝘰𝘰𝘬 often and loudly until he finally clapped me on the shoulder: "That's what you have to do. Keep saying it, my friend."
I smiled and sat back down.
Wish he and Dean were still with us.
I said sure, and in the fall, they touched base about getting the original cover art for a trade paper edition of GNELFS.
Since there was no art credit on the original mass market edition, I had to reach out to the last editor I had at Kensington Books. He reached out to the art department, but he wasn't optimistic.
They turned up a name, Richard Newton, and Crossroad reached out to him and worked out some sort of deal for the cover, partly as a flag to the fact they published broad backlists of vintage horror titles.
I was kind of amazed to see the crispness of the digital art they obtained. The size of the original mass market had resulted in the original painting being cropped, and other losses in reproduction had affected the color mix and more.
Happily on the new mass market, much is restored.
The re-release prompted me to search for GNELFS online a little more, and I discovered more love for the book than I'd ever realized. Some of it's cropped up in the past few years in a wave of interest in vintage horror titles following the release of Paperbacks From Hell even though the art didn't appear in the volume. None of my titles did.
I actually became aware of some of that love because British author Mark Morris revealed on socials he desired a copy of GNELFS. He pointed me to a YouTube channel where his novel Stitch and GNELFS were reviewed.
So, it's exciting to have the book back in new paper editions with new people discovering it.
I originally thought I might do more with Danube, gradually revealing more of his history. Clues are in place for his identity, but they are not overtly stated.
He seemed like a natural for some comics adventures, but I was worried about tangling up the rights to a character I might use again in print.
I developed Peter Mantus from there. Mantus, like Danube, was essentially a psychic investigator.
He also had a complicated history with his father, a dark sorcerer. Mantus, not Mantis as some people mistake it at times, took his surname--and pseudonym since he wrote books about his investigations--from a demon or god depending on who you talk to, sort of as a reminder of his father's bad acts and what he was standing against.
I've probably mentioned that before in interviews or somewhere, but it's nice to get it all in one place here.
It's been kind of fun to learn in some cases GNELFS was a favorite book for many readers when they were younger, even though it wasn't written as a YA.
The concept and art are iconic, so GNELFS stands out, I guess. As Stephen King said not long ago, long after he's gone, "that fucking clown" will be remembered.
Probably so too for me and these little minions. So it goes.
The sequel to Fool's Run is called Long Waltz, and it's coming soon. Final touches are being put on the cover, so the full reveal will be in the near future.
Meanwhile, here's a bit of a look. This book's going to find Si Reardon in Florida and wrangling with a fresh group of powerful men. This time they're from Hollywood. While stars and producers are busy shooting a sequel to a film lensed in Florida years ago, Si is called on to find out what he can about a girl who disappeared after working briefly on the first movie.
Of course he'll find himself plunged into a maelstrom of drama and corruption that will call on all his wits and resourcefulness. Friends Jael and the McCluskey brothers will be on hand too.
Just like a TikTok video, Halloween got over too soon.
It's fun experimenting with the TikTok platform. It's challenging to work in a form that can fit in a very short time frame. I did a series of six-word horror stories leading up to Halloween 2022.
Each was designed to stand alone but also to contribute to a progressing narrative, culminating on the day Halloween. I was happy with how things came together. A folk horror tale emerged, drawing in many Harvest time trappings.
The spoken-word versions are aligned here in appropriate order now.
---@willysid #Halloween #October #microfiction #horror #horrorstory #writing #writingcommunity #shortstory #flashfiction ♬ Eerie - Music Beyond
---@willysid #horror #sixwordhorrorstories #october #halloween #microfiction #shortstories #fiction#flashfiction #flashfictionfun ♬ Eerie - Music Beyond
---@willysid #sixwordhorrorstories #horror #halloween #october #shortstories #microfiction #writing #scarystories #harvest ♬ Eerie Music - Sound Collective
@willysid #amwriting #sixwordstory #microfiction #writing #sixwordhorrorstories #shortstory #horror #spooky #october #Halloween #horrortok #horrorstory #horrortiktok #horror ♬ Eerie Music - Sound Collective
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---@willysid #sixwordstory #sixwordhorrorstories #horrortiktok😱😱 #horrortok #horror #microfiction #microfictions #halloween #octobermood #october ♬ Eerie Music - Sound Collective
---@willysid #sixwordstory #sixwordhorrorstory #writing #microfiction #shortstories #flash #flashfiction #amwriting #halloween #october #horrortok #horrortiktok #sixwordstories #horror #Halloween #octobermood #octobertiktok #october #horrorfan #folkhorror #spooky ♬ Eerie Music - Sound Collective
---@willysid #sixwordstory #sixwordhorrorstory #writing #microfiction #shortstories #flash #flashfiction #amwriting #halloween #october #horrortok #horrortiktok #sixwordstories #horror #Halloween #october #tiktokhorror #flashfiction ♬ Eerie Music - Sound Collective
---@willysid #sixwordstory #sixwordhorrorstory #writing #microfiction #shortstories #flash #flashfiction #amwriting #halloween #october #horrortok #horrortiktok #sixwordstories #horror #Halloween #october #tiktokhorror #flashfiction ♬ Eerie Music - Sound Collective
@willysid #sixwordstory #sixwordhorrorstory #writing #microfiction #shortstories #flash #flashfiction #amwriting #halloween #october #horrortok #horrortiktok #sixwordstories #horror #Halloween #october #tiktokhorror #flashfiction ♬ Eerie Music - Sound Collective
@willysid #microfiction #horrortiktok #horrortok #Christmas #christmasghoststory #christmasghost #ghost #scary #spooky #flash #YALit #youngadult #youngadultliterature #YA #horror #flash #flashfiction #merrychristmas #holidays #yaliterature ♬ Instrumental Christmas Music - Christmas Music
Six word horror stories are fun and strive for a quick, single effect. I thought it would be interesting for spooky season aka Halloween aka harvest season, to do six-word horror stories that stand alone but also can be assembled into a bit of a linked narrative with the concluding installment to appear on Halloween, 2022.
SEE ALSO: Horrortober 2 - Halloween Horror Fiction
Segments area appearing on various social media outlets, and the complete string of micro stories will be assembled here in original order with new six word stories added as they appear on TikTok, Twitter and other platforms. The final entry will appear on October 31.
FURTHER READING: How to Write an Unforgettable Six-Word Story
The cool folks at Fantagraphics Books are dropping a collection of Ray Bradbury's stories adapted for EC Comics publications such as Tales from the Crypt and The Witch's Cauldron. It's called Home to Stay!: The Complete Ray Bradbury EC Stories.
It's a nicely complete volume with a rich assortment of extras surrounding Bradbury's affiliation with the shunned and banned and later celebrated EC line.
I did a review of the volume for Wicked Horror.
Stories are reproduced mostly in black and white, though they original tales were in color. Some pieces are reminiscent of the later Warren Magazine like Creepy inspired by EC.
The book's dropping now. Here's a sample page from the adaptation of "The Lake."
Sometimes a notion grabs you, so in the middle of Spooky Season, while I wait on edits for a novel and move around a couple of other irons in the fire, I find myself immersed in a holiday tale.
I'm not sure the workshopping plan will actually unfold, but I recalled a moment from years ago as I stared at the blank page. Around 5 p.m., I was driving home from my corporate marketing gig.
As I sat at a stop light that early-December day, I saw a car with three teen girls pass through the intersection. All of them wore Santa hats, and I thought they must be heading for some holiday activity.
What if one didn't catch her ride and had to walk. And what if it wasn't a Santa hat but one of those long stocking caps, an elf-hat of red and green?
And what if a white truck showed up as she walked alone? And what if a cemetery was on the way, and what if...?
It's taken off, so I'll be at this until it's finished. We'll see where things go from there.