GNELFS are back and a Secret Revealed

The team at Crossroad Press actually broached the notion of bringing some of my backlist out in new print editions for the first time at Scares That Care Authorcon in the spring of this year (2023). They've had ebook and audiobook editions out for some time but had plans to do more with their print catalog.

I said sure, and in the fall, they touched base about getting the original cover art for a trade paper edition of GNELFS. 

Since there was no art credit on the original mass market edition, I had to reach out to the last editor I had at Kensington Books. He reached out to the art department, but he wasn't optimistic.

They turned up a name, Richard Newton, and Crossroad reached out to him and worked out some sort of deal for the cover, partly as a flag to the fact they published broad backlists of vintage horror titles.

I was kind of amazed to see the crispness of the digital art they obtained. The size of the original mass market had resulted in the original painting being cropped, and other losses in reproduction had affected the color mix and more.

Happily on the new mass market, much is restored. 

The re-release prompted me to search for GNELFS online a little more, and I discovered more love for the book than I'd ever realized. Some of it's cropped up in the past few years in a wave of interest in vintage horror titles following the release of Paperbacks From Hell even though the art didn't appear in the volume. None of my titles did.

I actually became aware of some of that love because British author Mark Morris revealed on socials he desired a copy of GNELFS. He pointed me to a YouTube channel where his novel Stitch and GNELFS were reviewed.

So, it's exciting to have the book back in new paper editions with new people discovering it. 

It's also fun to find people like Danube, the peripheral protagonist who joins Gabriella Harris in her struggle against dark magic.

I originally thought I might do more with Danube, gradually revealing more of his history. Clues are in place for his identity, but they are not overtly stated. 

That was not to be, but I considered using Danube when I was invited to do something for Malibu Graphics back in the day. 

He seemed like a natural for some comics adventures, but I was worried about tangling up the rights to a character I might use again in print. 

I developed Peter Mantus from there. Mantus, like Danube, was essentially a psychic investigator. 

He also had a complicated history with his father, a dark sorcerer. Mantus, not Mantis as some people mistake it at times, took his surname--and pseudonym since he wrote books about his investigations--from a demon or god depending on who you talk to, sort of as a reminder of his father's bad acts and what he was standing against.

I've probably mentioned that before in interviews or somewhere, but it's nice to get it all in one place here. 

It's been kind of fun to learn in some cases GNELFS was a favorite book for many readers when they were younger, even though it wasn't written as a YA. 

The concept and art are iconic, so GNELFS stands out, I guess. As Stephen King said not long ago, long after he's gone, "that fucking clown" will be remembered.

Probably so too for me and these little minions. So it goes.