Wednesday, June 26, 2019

Biblioholic's Bookshelf - The D.A. Goes to Trial


Erle Stanley Gardner's best known for his defense attorney detective Perry Mason, but he wrote a few books about young district attorney Doug Selby, who deals with murder cases and the politics surrounding his job. 

The late Jim Hutton played Selby in a TV movie, They Call It Murder. Ed Asner and Leslie Nielsen also appeared. I watched it when it aired back in the day when my old man worked late and I hung out in the living room waiting for him to come home. Didn't know the character history nor of the Perry Mason-tie at the time. Hutton played detective Ellery Queen later in an NBC series that lasted a season. His son, Timothy, would later play Archie Goodwin in the wonderful and sadly only two-season A&E series A Nero Wolfe Mystery. 

Monday, June 24, 2019

Favorite Short Stories: The Gentle Passing of a Hand by Charles L. Grant

A friend asked for some recommendations on horror tales the other day, and as I mentioned a few that had had an impact on me, I realized they were almost equally balanced between visceral and quiet horror.

For me, used correctly, a visceral punch can be powerful and affecting. Quiet horror, read in the correct frame of mind, can be perhaps even more potent, evoking, sometimes for just a split second a sense of awe, a push into Stephen King's third level of horror, The Terror.

Charles L. Grant was an advocate for and a practitioner of quiet horror and championed the power of shadow.

When I first attended conventions as a kid before I'd published anything, I went to numerous panels where quiet horror and splatterpunk were debated in "tastes great-less filling" fashion, and Grant always made a good argument for the quieter side.

Oxrun and Other Streets

He's, of course, known for numerous series and novels with his Oxrun Station cycle maybe the most famous. Stephen King calls the Station Grant's "half-magical little town." I ran across the September 1978 issue of The Magazine of Fantasy and Science Fiction the other day, which featured an excellent Oxrun story I'd never encountered, "Caesar, Now Be Still."

That's not why we're here, though. That story sent me looking back through anthologies I'd picked up in my earlier years.  I re-discovered Tales From the Nightside, a World Fantasy Award-winning collection, which I bought in the TOR edition from one dealer's table or another. It offers three sections of tales: Tales from Oxrun Station, Tales from Hawthorne Street, and Tales from the Nightside.

Hawthorne Street is another slightly askew area of Grant's universe, perhaps most famous for "Temperature Days on Hawthorne Street," which became the Tales from the Darkside episode "The Milkman Cometh."

It's on Hawthorne that I re-discovered "The Gentle Passing of a Hand."

I also discovered I have, having spent a few years mulling theory for the sake of students, a better understanding now for the points Grant was making on those panels and in the pages of essay where he advocated for "shadow."

Shadow is basically an ill-defined something sideways in the world, and "Hand" builds to just such a revelation, a revelation that's profound and unsettling as the culmination of the story, the "Oh my, God!" moment.

It's a story told by a young narrator, Jay, orphaned and living with his Aunt Helen and Uncle Steve who are struggling with the burden and responsibility of his care.

Jay's as honest and as reliable as his world view and understanding of the world let him be, but he is a child, and it's through a child's perspective that we experience his world.

It's at a birthday party he discovers backyard magician, the Great And Astounding Albert. And it's from Albert he seeks knowledge for his own slight-of-hand magic act, though it's really too much to expect a magician to be mundane in a horror story.

Albert provides a few pointers, the most important seemingly that there's really nothing up his sleeve, but Jay's destined to learn a bit more as he works his way through his world. He's not unaware of the possibility that he might be passed on to someone else by his aunt and uncle as possible career opportunities develop.

Knowledge and naiveté

Secret knowledge and naiveté can be a dangerous combination, and to say more would spoil the effect as Jay plays with slight-of-hand tricks and toys with the nothing up the sleeve notion as well as the matter of his hand, that's mentioned in the title.

There's definitely a feel of Ray Bradbury in the tone of the chill and in the world of Hawthorne Street. There's a sense of idyllic tinged with dark edges. Albert's a kinsman to Bradbury's sideshow influence Mr. Electrico who fueled his imagination and fiction.

The end effect is actually the same core effect that fuels a major literary horror novel of a few years back, though to name it might spoil both.

It's hard to say if Grant was an influence or if the author arrived at the idea independently, but Grant definitely got there first, and, when the story reaches that point it's a cold hand clutching your gut.
Again, read in the right frame of mind and with the right degree of immersion, "The Gentle Passing of a Hand" is significant and affecting shadow play.

I'm dubbing it a new favorite.
  

Wednesday, June 19, 2019

Thirty Devilish Years of Azarius!

I waited with a bit of trepidation the year my novel Azarius was in development. I'd sold it myself with a query followed by a complete manuscript, "over the transom," as they used to say, after an agent failed.

I'd fumbled my way along with Writer's Market and Writer's Digest and observation of what was on the bookstore shelves. Edward Lee's Ghouls alerted me that Pinnacle Books was alive again after Mack Bolan jumped ship for Harlequin, so I addressed my letter To the Editor of Ghouls. I'd read Stephen King had once sent a query To The Editor of The Parallax View. That must have been for the novel Rage and not Carrie, but I'm not sure. 

As a newbie with just a few short stories published in literary and little magazines, I had little say in the cover art, and there'd been a good bit of negative buzz about crass paperback covers with skulls and demonic children.

The Postman Rings

When a packet arrived unexpectedly in the mail one morning with a stack of cover flats, I was relieved and elated. The lettering was foil embossed but in a cool way, and the image of an eye in a broken mirror, mined from the book's pages, seemed perfect and subdued at the same time.

It's hard to believe that was 30 years ago.

Early 2019's been hectic for me with a move to Virginia, so it took a phone conversation the other night with Wayne Allen Sallee, author of The Holy Terror, Rapid Transit and much more, to note the anniversary year had arrived. It's the 27th for Holy Terror. 

It seems long ago and like yesterday. 

It started with a bad dream on the heels of three private eye novels I'd never felt were quite good enough to ship out plus a coming of age novel with crime undertones.


Letting Go of I

I switched over to third person from first and found it freeing, and the words flowed. A hundred thousand or so hammered out on a Commodore 64 in the wee morning hours after working a 1 p.m. to 10 p.m. shift at the newspaper where I was a reporter. I've always said past midnight was a good time to be writing a horror-mystery.

I had to take vacation time to do the edits requested by Ann LaFarge, who'd found it in the slush pile. A New Orleans-area murder-for-hire trial had been relocated to Central Louisiana, and I drew the straw of covering it. It was interesting but also a distraction.

Azarius Lives!
Crossroad Press re-issued Azarius a couple of years ago as I was rolling up my sleeves and preparing to devote my writing time to literary short stories.

The ebook edition cover was designed by David Dodd who does most of the covers for Crossroad . I was really pleased when it arrived in my inbox, bypassing the postman.

David had found a different but equally intriguing way to represent the novel's central, deceptive presence, leader of a horde of fallen angels all eventually confronted by a young reporter.

It touched off what I've come to think of now as the Aimsley Cycle of novels, all set in the fictional Louisiana city Aimsley and its surroundings where events traditionally supernatural and otherwise abound.

Looking back, that led to an interesting life for me.

I'd have never taught without Azarius, I'd never have made as many friends as I have around the world, never have bounced around as much. It's all a blur of course.

And happily you can order here or via the Crossroad Press website.






Friday, January 25, 2019

Poe Collection Quoth the Raven on the Bram Stoker Awards Preliminary Ballot

The Bram Stoker Awards Preliminary Ballot for 2018 was released the other day. I opened the email and scanned down to the short story collection category, checked and didn't see Quoth the Raven. That's the collection from Camden Park Press that includes my story, "The Cooler of Craft Brew."

Happily my disappointment was short lived. Celebratory emails and posts were forthcoming from other authors in the book.

Collections are single-author. The Superior Achievement in an Anthology category for collections with multiple authors was a little further down and Quoth was on the list.

So that was fun.



Voting at this stage will determine if Quoth makes it onto the final ballot, but it's fun just to be in this slot. Camden Park Press has a link for Horror Writer's Association Members to acquire an ebook edition for review.

Sunday, November 18, 2018

Eldritch Horror of A Rural Kind - New Lovcraftian Tale



One of my students graduated a while back and set to work launching a very nice publication called Aphotic Realm. It's always filled with full color art and stories.

He asked me for a story a while back to fit the theme for an Eldritch issue. Sometimes a request triggers a burst of fresh creative energy. I sat down and wrote a story called "Shotgun Wedding" that I'm very proud of. 

It's a bit of a rural eldritch tale that riffs off a bit of folklore and tips a hat to the Cthulhu Mythos. 

It's Halloween night and a knock at a family's door leads to an invasion by armed men with whole-head animal masks.

Family secrets and much more unfold from there. 


Sunday, October 07, 2018

Interview Re: My Edgar Allan Poe story

Steven R. Southard, who's a fellow contributor to the new collection Quoth the Raven, that's out today in paper and ebook editions, was kind enough to interview me about my contribution to the collection.

You'll find the interview at his blog, Poseidon's Scribe, along with interviews of many other contributors to the collection, which reimagines Edgar Allan Poe's tales and poems for the 21st Century.

It's always fun to do interviews about a new project. I find the introspection driven by questions often brings up something new.

I'd forgotten how rich and deep  Poe's influence on me had been, even though I mention him every month in my mystery class.

I was reminded of my high school days, a teacher who encouraged me and much more.

Hop over and have a look and check out the great titles from Steven's pen as well.





RIP Scott Wilson

Actor Scott Wilson has died. The Hollywood Reporter's obit is here. 

I learned of this via Barry Gregory of Ka-Blam Comics who was hoping to see him at an upcoming convention. Wilson was the veteran of many crime and genre films.

I never met him or interviewed him, but it’s one of those “celebrity” deaths that truly makes me feel sad. I re-watched his film debut “In the Heat of the Night” recently.

Apparently that led to his casting as killer Dick Hickcock in “In Cold Blood.” That film in turn gets a meta nod in the slasher send up ”Behind the Mask,” one of many turns on the road to The Walking Dead.

It’s as the troubled astronaut who provides the spiritual mystery at the core of William Peter Blatty's The Ninth Configuration where he really caught my attention.

The mournful theme song, San Antone, from that film came to my mind as I read Barry’s Facebook post.

RIP Hershel. We'll miss you.

Monday, October 01, 2018

Book Cover Reveal: Edgar Allan Poe Collection Quoth the Raven


The thrill of having something new come out never gets old, I must say!

My short story "A Cooler of Craft Brew" will appear in the new collection Quoth the Raven from Camden Park Press.

The cover is a bit of all right, designed to capture the spirit of the time of Edgar Allan Poe with just a hint of the modern since the goal of this anthology is to offer stories and poems that celebrate Poe in the 21st century. Its official release date is Oct. 7, 2018, anniversary of Poe's mysterious death. And just in time for Halloween.

My story focuses on a "Florida man" and offers just a hint of why all of those Florida man headlines reporting strange and bizarre behavior occur.

Pre-order links (updated as they come):

Amazon: https://www.amazon.com/dp/B07HWLD8JJ/?tag=kydala-20

Barnes and Nobel: https://www.barnesandnoble.com/w/quoth-the-raven-amelia-gorman/1129654980;jsessionid=5D277E15B09B559849E035C80DF05247.prodny_store01-atgap01?ean=2940161916940

Kobo: https://www.kobo.com/us/en/ebook/quoth-the-raven-2

Friday, August 24, 2018

A Scotland Tour: The Hermitage Walk

When we first talked of visiting Scotland, I thought of castles. I like castles.

I like touring ruins really, looking at fragments of the past, imagining with awe the reflection of a thousand years. I incorporated Irish ruins Christine and I visited on another trip into a novel, and I thought more ruins would surely inspire fresh ideas.

Yet as we made our way along our tour, things other than castles kept capturing my attention. Things older I suppose.


Near Dunkeld, we stopped at The Hermitage, a path created by a duke in the 18th century on behalf of a bard named Ossian, apparently a blind bard, though the epic poems attributed to him were penned by a later writer named James Mcpherson.

I got kind of a non earworm as I walked the path under towering fir trees, struggling with a misremembered lyric because I kept thinking I was in a forest cathedral. It's Dan Fogelberg's "Longer" I was trying to summon up. That mentions a "mountain cathedral," I think.


But forest cathedral applied with a sunny Saturday afternoon's rays filtering through branches and leaves. While the trail is old, the forest had a primeval feel. That's the real connection the Fogelberg tune makes, a "forest primeval."

It was an accurate one there amid ancient trees and stones erupted from somewhere deep in the earth.  And just like being on the deck of a ship looking across a vast ocean, everything else seemed far away, not gone but compartmentalized for a while.


We made our way over a stone bridge and on to Ossian's Hall overlooking a waterfall on the River Braan, listening to roar of the water flow over more of those ancient stones. 



And we sat on stones as well and contemplated for a while and felt our calm restored in spite of the turbulence of the universe. There's more in the world than we sometimes see. 

It's waiting silently, while the things that clamor for our attention fill our view. 








Wednesday, August 22, 2018

A Scotland Tour: Visiting The Crannog Center on Loch Tay

On a drizzly morning with enough chill in the air to require my light rain jacket, we walked across a wooden bridge of small, uneven logs and stepped into a shadowy room accented with the smell of wood smoke. 

Would it be a cliche to say it was like stepping back in time?

The Scottish Crannog Center near Aberfeldy, Perthshire, was an early stop on a Scotland tour for Christine and me recently, and it was the first real indication the trip truly was going to be immersive and educational. I had two upper-level British history classes in college, taught by a brilliant scholar, but I'd never really delved deeply into Iron Age Scotland nor heard of crannogs, dubbed artificial islands and constructed on Scottish lochs.


I got a bit of a campfire storytelling vibe as we stepped into the re-creation and sat around the fire pit that would have been kept active at all times in an original crannog.

The early dwellers would have told stories no doubt. There religion's not known, but it might have been element-oriented.

The site's host went on, explaining the underwater archaeology that led to the reconstruction and the work that would have gone into original construction.


The posts, tree-trunk-thick, which supported this structure on Loch Tay would have been driven into the loch's clay bottom and twisted using hand holds to sink the points in and gradually to let the clay close around them.



Then the artificial island would have been built up using wood from a nearby forest. The reconstruction uses thatch that would not have been so easily accessible to the Iron Age dwellers, but a modern supply offered a way to re-create the general look for the site. 


Our host took us outside after that to a number of stations, demonstrating the grinding of grain and the use of a lathe. 

Then he successfully managed fire using wood shavings and primitive tools, something I never managed with a flint and steel set as a Boy Scout.

I hadn't expected the stop, had flipped past it on the itinerary. I'd come to see castles and ruins, but I was glad we'd landed here.



Glad for the glimpse, glad for the understanding of what day-to-day capabilities a person of the time would have had to possess. 

Butcher, baker, builder, woodworker, fire bringer. The Iron Age person would have had to have been all, the host said.



It gave me a vibe I can't quite put into words, an insight and connection to those long-ago people, a vague sense of time's passage though time is impossible to truly perceive. It was long ago, and they were smart, resourceful, brave. 

They perhaps didn't know there were warmer lands or sunnier climes, so they shaped lives as they could. As do we all. 



Thursday, May 17, 2018


Crossroad has issued the trade paper edition of Disciples has been issued. It features a slightly different cover design with the new look of the O.C.L.T. series logo.



Tuesday, October 31, 2017

Biblioholic's Bookshelf - The Sorcerers - an Avon Satanic Gothic by Dorian Winslow (Daoma Winston)


Titles from Avon's brief Satanic Gothic line from the early '70s are pricey these days. I found an OK copy of this title for a decent price.

Dorian Winslow is a pseudonym of Daoma Winston, who passed away in 2013. Here's the Washington Post obituary detailing her career.


Sunday, October 29, 2017

Having a Sip of The Unquenchable Thirst of Dracula


Fortunately, BBC 4 radio allows streaming outside the UK. Just in time for Halloween, I gave Hammer Horror's The Unquenchable Thirst of Dracula a listen.

Endeavoring to do things right, I closed my eyes and tried to immerse myself in the world, created from a Hammer script by Anthony Hinds for the Christopher Lee Dracula series. It was abandoned in favor of Dracula A.D. 1972. 

Re-imagined as Unquenchable with Mark Gattis directing, it proved to be an interesting experience, and I think I was successful in maximizing my immersion. I read of the Hammer films in The Monster Times and Famous Monsters of Filmland as a kid, long before I got to see any of them on late-night TV, so I have experience in visualizing the stories.

For the audio, I was quickly back in a Hammer Dracula world as soon as a young British woman named Penny just made it aboard a departing train, on her way in search of a cooler spot in 1934 India. A least that's what she claimed, upon meeting a pair of Indian teens and an Indian businessman.

It's pretty quickly clear Dracula's alive and embedded with an ancient Indian cult who are helping supply him blood as they plan rituals and nefarious activities.

The plot moves pretty fast with Penny and Prem, the young Indian man, working together to unlock Dracula's secrets and of course, survive, and it builds to some rousing moments and an appropriately chilling ending.

There's a bit of an in medias res feel, but then that's not unusual for a 90-minute feature that has to convey back story and character in fast order and get things rolling.

I enjoyed the aural descent into dark caverns and through twisting passages, and I was OK with the portrayal of the Count, though some reviews seem to complain about a lack of development. Your mileage may vary, as with much of horror.

Though it's narrated by the great Michael Sheen, that's where my disappointment kicked in, that it was narrated at all.  Some of the voiceover sounds like it's straight from the original screenplay, perhaps a bit of preservation-thinking at work. That sometimes reminds that it's from a screenplay, a little like the Blacklist Table Reads.

It might have been more fun to let everything come to us by way of dialogue and effects, but it wasn't truly a spoiling impact.

Overall, I'm glad I got a chance to drop back into something almost part of the Hammer cannon. Apparently it'll be online another 28 or 29 days. Put it on while you wait for trick-or-treaters.
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Friday, October 27, 2017

Slow Glass, Ash and Me

Christine had said often as our cat Ashley showed signs of age and decline that he might not be with us much longer. I didn't argue, but I compartmentalized the concern and focused on taking care of him and just sharing the world with him.

Ash was not given to reach out with a paw and grab your arm for attention as our other cat, Oliver, is wont to do. He'd sit on your lap quietly in the evenings, facing away. Or he'd call out from the edge of the bathtub in the morning a minute before the alarm went off, hoping to have the tap turned on to a trickle so he could drink fresh, directly from the faucet.

In the days after his passing, I've found myself racking my brain, dredging for memories, specifics, wanting to hold on and realizing so much of life is day-to-day routine, and it's sometimes hard to pull moments from that. 

As mentioned in an earlier post, Ash showed up just after Hurricane Rita sent wind and rain into Northeast Texas in 2005, so he was with us 12 years. At first he was not adopted. At first we ran a newspaper ad seeking his owners. He'd been neutered and cared for at some point but later neglected it seemed. 

While we waited for someone to turn up, he stayed outside, and feeling vulnerable since he was blind in one eye; he'd sequester himself in the woods just on the outside of our wooden fence. If we stepped out the back door, he'd slither under the fence and charge to greet us. 

Those little mad runs are etched in my mind as are other moments, but I guess in grief in the desire to find all of 12 years immediately, I was hit with frustration and a lot of things including Rod McKuen poems resurfaced.

"The mind is such a junkyard," McKuen wrote in one poem, and I can confirm that. Sometimes I can watch a show I saw in the '60s and recite next lines. 

For other things, like a cool autumn evening sitting on a patio in Texas with Ash at my side, the mind's a little harder to access without things to jog it. 

Of leaves and memory

"I remembered today, that among the silly things you saved was a brown-and-yellow leaf. I shook out every book I owned to find it. Still it's lost..." - Another McKuen poem.

I read McKuen as a teen, disregarding teachers who dismissed him and longed for me to read Shelly, Browning or T.S. Eliot. Perhaps the lines were maudlin and purple, but the introvert I was, struggling to wrangle the depths of my feelings and contemplations, found resonance.

And that line came back to me. I've felt like that, doing the same seeking of intangible moments. I had to comb my office for a disk of photos. I had tucked it into my backpack during Hurricane Irma in case we had to evacuate here in Orlando. I took it out again before heading to Vegas, again to keep it safe, but I failed to tuck it back into the CD file box again with useless game disks that no longer work.

Finally I turned it up and fired up an old laptop and looked through snapshots and video clips.

I was reminded of a Marvel comic magazine I read for a while as a kid, Unknown Worlds of Science Fiction. It adapted Bob Shaw's "The Light of Other Days" then used the concept from that story, slow glass, as a framing device for future issues of the anthology comic.

With slow glass, instead of looking straight through a pane, light passes through slowly. A piece of glass exposed to a brook where deer come to sip and birds flutter, would reveal the scene much later when it emerged. 

Put a glass by a brook, then take it home and weeks later the scene would play again before you.

I pulled up images and video clips, pursing something similar, a return to moments when Ash was young and spry, always in what Christine referred to as His Own Ashley World but ever sweet-natured, affectionate, of course curious.

In Unknown Worlds, a gangster who sought to preserve his wife's memory, used slow glass to capture a day of her on the beach before murdering her in envy then wept when learning the emerging image would last only as long as she was originally exposed to the glass. 

What we have
Photos last a little longer, but I was struck by the sense of futility. Photos last longer, but they are still imperfect in their way.

Yet wonderful. 

I found video of Christine opening a present one Christmas, and Ash came bounding into the periphery, chasing a toy, flicking it under a china cabinet then following it as far under as his size allowed.

A snapshot of Ash sitting on a cat tree, his ever-quizzical expression aimed at me and directly into the camera lens.

Another snap of Ash standing on an afghan, frozen in the midst of a ritualistic stomp he did, mixed with a periodic miaou.

Video Ash in the yard, not doing much.

It was not enough of course. Nothing is enough in the loss of a pet or a loved one, but bittersweet is what we have. 

Nothing fully calls back all the memories you're chasing. As McKuen noted, the mind recalls "candy bars but not the Gettysburg address, Frank Sinatra's middle name but not the day your best friend died..."

But memory helps and images and video do their best to bring back the light of other days even if sometimes things are just a little blurry.












Sunday, October 22, 2017

RIP Ashley


I found an email from 2014 or so. I was letting Christine know our cat Ashley or Ash had been sluggish and was still sleeping on the bed in our second floor guest room. I was planning to take him to the vet to get him checked out.

That had become kind of routine the last few years. Ashley came to us blind in one eye, plagued by ear mites and suffering tooth decay that would later require one of his canine teeth be removed.

Once we had him clean and well fed again, he prospered and quickly graduated from an outside cat we were feeding to full companion animal status.

Chronic health problems developed two or three years ago including kidney disease, often a problem for cats as we learned with our beloved Miss Daisy. Sadly later came thyroid issues.

Friday morning seemed like one of those days. He was a little sluggish, so we decided Christine, who'd taken a day off, would take him to the vet while I taught my class.

The day turned out a little different. The vet said he looked anemic and did blood work. Anemia also goes with the kidney disease territory and I thought we might be buying Procrit, which is expensive, and trying to pump him back up.

But a short while after Christine brought him home, a short while after he'd played a bit with his longtime friend and companion, Oliver, he lay down on his side, limp and unmoving and breathing in quick, shallow breaths.

Home by then, I gave him a little while, thinking he needed to rest from the vet visit. He didn't improve, so I snatched him up and took him back to the vet.

The anemia was worse than expected and not to be corrected with a few shots of Procrit. The vet mentioned ultrasounds and blood transfusions at a specialist's office, and I knew we weren't going to put him through that.

The techs brought him from where he was being treated back into the exam room where Christine and I waited. They had him next to a hot bag of fluids that was acting to warm him, a brown blanket pulled to his shoulder. He lay on the blanket he'd come in on, a green polar fleece that I've warmed for him in the dryer regularly for the last couple of years. Kidney disease means a low threshold to the tolerance of cold as well. Sometimes I'd warm it as a substitute for my lap so that I could get some grading done with my laptop.

We petted him Friday afternoon, spoke to him, I kissed his head, and he blinked and moved his eyes, more of an acknowledgement than we'd been able to elicit at home. The vet had been giving him oxygen to compensate for what his blood couldn't do.

Then we let the vet administer the injections that bring suffering to an end, and in a few seconds he was gone. He lived with us twelve years, sweet natured, ever close, ever loving. Happy with any meal and never demanding of much in the way of flavor except once when we bought him health food.

He'd been starving when he blew up on our patio in Texas, and it always seemed he remained fearful of going hungry again. Once, when he still stayed outside in those early weeks of this relationship, I looked out the back window to see him in a standoff with a much larger raccoon who'd wanted to sample his dry food.

I'd have gladly refilled it, but he didn't know that.
Ash when he first arrived at our house. 

We knew him first as Gray Kitty and tried

 to find owners who never turned up.

Once we realized he was blind in one eye, he saw a specialist and received pressure-reducing drops to avoid headaches. On that first visit to the kitty eye doctor in Dallas, the physician wanted to show the other doctors the once-damaged and long-healed eye. She picked him up and took him to her colleagues then returned saying: "That is the best cat..." She saw too how sweet and calm he was.

Christine always had a special bond with him, always loved him best, and when we moved into our two-story home in Florida, she loved to watch him come trotting down the stairs from an upstairs nap, his motion fluid, his tail hiked high, his heart open and warm to her greeting.

So the good bye was difficult, and Friday night was sad.

As I mentioned to friends on Facebook, Christine and I went out early Saturday morning and looked up at the stars, checking for what we could see of the Orionid Meteor Shower since we'd waked early.

We didn't see any meteors but with an iPhone app, I located Orion, Tauras, the Twins, then more specifically Betelgeuse, Bellatrix and Adhara.

I realized how vast and abiding the heavens and how small we are in comparison.

We seize the moments and the love we can as we pass through life.

Ash was a bright, bright spot in our lives and will be a bright, bright spot in our hearts and memories forever.

Early posts on Ash:

Four on the Floor

Ashley's Eyes

Ashley's Eyes II


Wednesday, October 04, 2017

Biblioholic's Bookshelf: The Devil's Churchyard


Haven't done a Biblioholic's Bookshelf post in a while. I've never picked up many books from the gothic era, though I've always been intrigued by the covers. Lately I've started acquiring titles that look interesting.

Seems Godfrey Turton, author of The Devil's Churchyard wrote non-fiction and a few novels. This one drew my interest what with the horror overtones. It may have been published in the Doubleday hardcover simply as a romantic thriller with the gothic packaging to come from the Pocket Books edition. I'm not sure.

It's the tale of Kate Evans who stumbles upon a secret stone-ringed altar and a strange vellum-covered book and is soon in the sights of an evil reverend who I suspect has a second congregation.

Sunday, October 01, 2017

Things That Happened in Vegas

At the Forum Shops at Caesar's Palace.
Christine and I are back from a week in Las Vegas.

Here are a few things I did:

Saw Penn & Teller's show

Saw Eddie Griffin

Saw Cirque du Soleil O.

Ate. A LOT.

Shopped.

Hung out.

Walked the Strip.

Gambling not so much.


Wednesday, August 23, 2017

So That Happened: Immersive Re-read of Stephen King's It


Took me 2 1/2  months the way I did it, reading it alongside other, slimmer books, but I finished a re-read of It, every word with far more care and contemplation than I probably gave it the first time around when I was a young and busy reporter.

It was great to re-visit those dark, dank sewers and contemplate the characters and the horror and the awe.

It reminded me how much depends on a bike named Silver and a sense of wonder, a bike as grand as that sense of summer in the tennis shoes in Ray Bradbury's Dandelion Wine. 

I'm glad to have re-visited and to look at it with fresh, more studious eyes. Above all--and there are some great scares--I'm glad to come to a new appreciation of the structure. Like the book that probably influenced it, John D. MacDonald's The End of the Night we get notice fairly soon up front of the ending, or at least some of the details, but for the whole story of what happened in 1958, we have to go on the concurrent journeys with the characters to learn all the details and how the ultimate defeat occurs.

Thats about all I have to say at the moment. Nothing more profound. Just that it was a great way to spend my reading life this summer.

I'm looking forward to the new film, even though it can't hope to treat the structure in the same way the book and even the miniseries did. The sewers, the house, the clown all look like interesting interpretations of a modern myth. Fun times.


Sunday, August 13, 2017

Half A Decade Teaching Horror, Mystery and Suspense!?

The actual and official anniversary of my teaching gig's June 1, though it was in August that I stepped into the classroom for the first time five years ago.  It's hard to believe it's been so long.

It's been an interesting time. In a good way. My former comics editor and friend Roland Mann landed first at Full Sail University teaching in their MFA program for creative writing. Then he called me. I wasn't looking for a teaching job just yet though I'd completed an MFA, but Captain America was on the home page. Full Sail grads had worked on the production. I decided to re-think my timeline a bit. As my friend would put it later, "You're going: `I want to work at the Captain America school."

When I first learned a few months later I'd been hired to teach a focus of horror, mystery and suspense in a new creative writing BFA program, I was still working as a corporate communications writer and web content coordinator.

I gave a month's notice and started preparing in my head by keeping Lovecraft stories open in one tab on my computer.

Between completing final tasks and assignments at that day job, I ventured into Antarctica again via At the Mountains of Madness and scoured horror web comics, movie sites and headed to the theater for Cabin in the Woods, The Raven, and The Hunger Games. 

Tom Waits "Walking Spanish" became an earworm, an anthem for short timer's syndrome.

Tomorrow morning there'll be laundry
But he'll be somewhere else to hear the call
Don't say good bye he's just leavin' early
He's walking Spanish down the hall...


When I first settled at my desk in my new gig in Orlando, I realized I had to codify what I'd done instinctively in writing fiction. I poured over things like The Philosophy of Horror by Noel Carroll and revisited Danse Macabre by Stephen King which I'd bought and read when it came out.

I did the same with mystery and thriller fiction and theory reading essays by Dorthy L. Sayers and academic essays on mystery greats. My formative years included Chandler, Ross MacDonald, John D. MacDonald and Hammett as well as Lovecraft, King, Poe, so the course mixture was a good fit for me. My freshman English professor once told me I might someday offer something interesting to the academic world with my specialized knowledge in detective fiction, the focus of most of my papers for his class.

As things cranked up in Orlando, it was a grand time, those months putting the building blocks together for a course. I had to modify my thinking a bit as I began to meet late teen and early twenties students steeped in gaming an anime. I had to learn to show the influences of Stepehn King on Elfin Lied and Raymond Chandler on Death Note, and break down the tropes in Silent Hill and Left4Dead. But it's been a great ride.

Settling into the job and immersing myself in genre anew opened up a fresh wave of creativity for me also. I've written two new novels now and a host of short stories plus some scripts short and long. I didn't realize how much the corporate world had stifled me.

We had a fun five-year celebration this week just past for all of us who've been on board since 2012, and I got a pin. Full Sail began as a program for sound and music editors, mixers and engineers, so you earn a guitar pick for five and move into other mediums on successive milestones.

It's been a fun half decade. We'll see where things go from here. 

Monday, August 07, 2017

Dark Hours Full Cover



Since it's usually wrapped around the book, you don't  get the full view of cover art. Here's the whole thing for Dark Hours.

The building really captures the spirit of the old gothic library I envisioned for the novel.

Order from Amazon.

Order from Barnes and Nobel.

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