I met Micahel Morbius on those magazine racks and Doc Savage on the nearby paperback display, so those old Eckerd bean counters nudged my reading tastes, I suppose.
I was unaware of Simon Ark's legacy in that moment. I just started to notice the contributions of Edward D. Hoch in every issue of EQMM and frequently in AHMM. I came to like police detective Captain Leopold and thief-of-obscure-and-worthless-objects Nick Velvet among Hoch's wide mix of characters.
When Ark came to the pages of EQMM and AHMM a while after, I started reading of him as well. An introduction noted Hoch had written of him for some time, but I just picked up with the newly arriving tales.
I sadly never ran across the 1971 paperback edition in my used book store dives. I would have snatched it up, of course. Paperbacks sold for half their cover price back then, not collector's prices. I would have snatched up a 1973 re-introduced Weird Tales too that included an Ark story too. It never made it to Eckerd's that I noticed.
Ark might almost have fit in the original Weird Tales alongside Seabury Quinn's Jules de Grandin, I suppose. As explained by Ark's nameless Watsonesque first-person narrator from the publishing industry, Ark was a Coptic priest, thousands of years old. But his mysteries, while hinting at the bizarre or the mystical, were of the "fantastic uncanny" school. Like The Hound of the Baskervilles or Scooby Doo, while things might seem ghostly or otherwise supernatural, the explanation was rational.
I enjoyed the Ark stories. My old man, who'd take a turn toward less fantastic tastes later in life, read them as well along with other Hoch stories. "Anything by Edward Hoch is good," he declared.
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He liked the clever twists and turns of Hoch's plots, frequently locked rooms with Dr. Sam Hawthorne and more violent crimes with Leopold. Often, they'd hinge on technology of some sort. I decided Hoch must read a lot about new developments as well as the inner workings of older devices. He was no stranger to minute details in other realms such as myth and folklore either.
That hint of the arcane in Ark stories probably appealed to me more as my interest in Stephen King and H.P. Lovecraft grew. The delight when Hoch revealed how a man trapped in a revolving door all alone could perish at another's hand grabbed both my dad and me, however.
Things weren't as accessible in those days as they are now. I had to wait for ebooks to bring back early Ark tales including Hoch's first published story, I believe, "Village of the Dead." In that one an entire village plunges lemming-like over a cliff.
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"The Judges of Hades," probably novelette length, is in the Mysterious Press/Open Road ebook of The Quests of Simon Ark as well. It's nice to backtrack a bit now that so much is at our fingertips.
According to this handy list, the story first appeared in the February 1957 Crack Detective and Mystery. It's fun to have a sense at least of a tale's original trappings.
The story takes Ark's publishing-industry friend plus wife Shelly back to his hometown, Maple Shades, Indiana. Kids are wont to strip Maple S from local welcome signs, but it seems to be one of those quiet picket-fences places, though the narrator's much happier in the canyons of New York.
The friend's father, Richard, and sister Stella, have died in a head-on collision, each alone in a separate car.
The narrator's strict father was a strict local judge as well. He and his brother, Uncle Phillip, also a judge, had been dubbed judges of hades by the local press, inspired by vase depicting the mythological Greek guardians of the underworld.
What made either the Stella or the Richard decide to ram the other? Dad had ruled against the sister's husband, but would that have triggered a dark impulse on her part?
The narrator persuades Ark to look into the matter and his interest is piqued by the mythological reference. Was supernatural evil to blame? And what's up with the fact that there were three mythological judges of Hades?
Ark's interest grows as the potentially spookier side of things becomes evident.
The solution's wrapped up in fifties small town repression and more character texture than usual. All is revealed as the narrator contemplates choices and contrasts between life in Maple Shades with the glitzy life of the city.
Are there a couple of stretches? Perhaps, but it's all clever enough and anticipates what's ahead for Ark who's a tall and heavy-set man not yet showing some of the signs of age mentioned in later tales. So is he really who he claims to be?
It should be enjoyable to fans for the likes of Carnacki, though he might have found a ghost or a logical explanation.
And, if we'd have run across it while he was alive, I'm pretty sure my old man would have liked it and held to his Hoch contention. We had our tiffs, but we got along better than Ark's narrator and his dad Richard.