Reviewing the Great Ray Bradbury's Home to Stay! - Tales from EC Comics

The cool folks at Fantagraphics Books are dropping a collection of Ray Bradbury's stories adapted for EC Comics publications such as Tales from the Crypt and The Witch's Cauldron. It's called Home to Stay!: The Complete Ray Bradbury EC Stories.  

It's a nicely complete volume with a rich assortment of extras surrounding Bradbury's affiliation with the shunned and banned and later celebrated EC line.

I did a review of the volume for Wicked Horror. 

Stories are reproduced mostly in black and white, though they original tales were in color. Some pieces are reminiscent of the later Warren Magazine like Creepy inspired by EC.

The book's dropping now. Here's a sample page from the adaptation of "The Lake."

It really is a great volume for any Bradbury fan's library. 

Wicked Horror Article - Thoughts on some Marvel Monsters Who'd Make Great Film Creatures

 Got a chance to do a listicle for Wicked Horror about some of my Marvel horror favorites.

Check out: Five Marvel Monsters That Deserve Films After Morbius

Comics Catchup

I make no pretense of being caught up or well-informed about comics these days. There are too many great titles, and too many temptations for an eclectic like myself.

I bounce around among the titles that capture my interest. I've read some of the New 52, and bit of the Red Hulk and other Marvel goings on, and I'm a fan of Locke and Key and much more.

Lately a few other things have grabbed my attention, and a mention on a friend's Facebook timeline sparked some discussion last night. So, some things I've liked recently on my iPad via Comixology include:

Dark Shadows/Vampirella
Crossovers are inevitable in comics, and when characters from different corners of my youth converge, it's hard to pass up the adventure.

Barnabas Collins, the Maine blue blood vampire meets the girl from Draculon in this outing, that pits them against Elizabeth Bathory, she who bathed in the blood of virgins. Liz has enlisted the help of Jack the Ripper, and they're both alive in contemporary Manhattan.

They're responsible for some deaths, and they've kidnapped and caged several victims as well. One of those is the descendant of a woman Barnabas destroyed before he learned to control his vampirism, so he owes a debt.

Barnabas is portrayed as a bit unhip, having been penned up in a coffin for a few hundred years, so venturing from Maine into New York City is challenging. His werewolf cousin Quentin is happily on hand to help out, and then there Vampi.

The fight, as heroes, or even antiheroes must in crossovers, but then they team up and face off against the real evil. Dracula has a place in Vampi's world these days, but Bathory is so evil, he's not an obstacle as this five-issue arc builds to its climactic battle.

It's penned by Marc Andreyko who created Torso, based on the Cleveland's Mad Butcher of Kingsbury Run, and it really had me flipping through the frames.

Army of Darkness vs. Re-Animator
Lovecraftian meets Lovecraft in more ways than one in this entry in this entry of the ongoing Army of Darkness crossover series, and it's a bit of a brilliant mix.

Ash from Army gets committed after his return to the S-Mart where shotgunning an ancient sorceress isn't viewed with the understanding film viewers might be willing to grant the one-armed stalwart. Who should be at work at the institution where he's housed but Lovecraft's Herbert West himself, the Herbert of the Re-Animator films at least.

He's still up to his efforts to thwart death with obstacles still plaguing him, but he's also assisting those bent on opening doorways to Lovecraft's Elder Gods.

Hideous, tentacled beings abound, and Ash must avert cataclysm in his usual style.

Sherlock Holmes and the Liverpool Demon
Who said Sherlock in his own time couldn't be successful today? Updatings Sherlock and Elementary get all the attention. Well, I suppose the Robert Downey Jr. movies are true to period, but this series gives us Holmes and Watson almost as Sir Arthur Conan Doyle's readers know them.

Their challenge is sensational, a series of murders in which the victims are clawed by what many believe to be the Springheel Jack of legend.

But the series remains true to the spirit of Doyle's original stories  throughout. Holmes and Watson are in Liverpool wrapping up a case, and soon become involved in the murders. A homeless man's one of the victims, and he seems to have ties to other things afoot. Is the supernatural at play, or is a gangster's imported panther alone the culprit? The way things wrap up with various plot threads converging in the final issue makes this mystery mini-series enthralling.

These titles plus a news series from Marvel featuring Michael Morbius, who I used to read in black and white in the Vampire Tales days, have been keeping me busy.

I know some who dismiss the digital age of comics, but I find it handy. There's not a worry about missing an issue at the drug store when every title's just a download away.

The Dusk Society on BlackBerry

I can't really testify as to the reading experience. Christine is the BlackBerry user in our household, but Campfire has released the graphic novel I created, The Dusk Society for BlackBerry devices.

Actually Christine uses a Storm, and I'm sure this is targeted more to tablets, but if you're a digital comics reader you now have one more option. It's also in the iBooks store, if you're among the few who happen to own iPads.

Someday, I may do a post detailing editorial changes made to my original script. For example, I didn't telegraph the monster on the first page, and some of the more "expository" dialogue isn't mine.

Still, my core story is in the pages, however you get to the tale, and I particularly like the way one of the young heroines gets chemistry class dismissed, before focusing her intelligence on more meaningful pursuits like monster hunting.

The BlackBerry version is here. 

I Was Zombie When Zombie Wasn't Cool Apparently

Word up is that zombies are all the rage again.

"Zombies are the New Vampires" by Lev Grossman in the new issue of TIME speculates that just as "Night of the Living Dead" symbolically served the Vietnam Era, zombies are now ready to serve our current era of uncertainty.

I've always been fond of zombies, those mumbling shamblers who offer nightmares as they long for brains.

I did a zombie graphic novel for Caliber Press once upon a time. I may have mentioned it here before. I tend to go on that way.

While it tipped the hat to "Night of the Living Dead" zombies, it was really more about voodoo zombies and New Orleans.

It was called "Sirens" because the central villain, Felicity Green, had co-opted voudon for her own, evil ends, and sent young women out to find victims to help her maintain eternal youth.

The hero, Jeff Delmer, encountered one of the "Sirens" and quickly found himself turning into a zombie. The story focused on his efforts to avoid that end. Helping him was a previous victim who wasn't mostly zombie, he was all zombie and shambled through the French Quarter in a floppy hat and trenchcoat to conceal his status.

The artwork by John Drury and Chuck Bordell had a wonderful noir feel., and it's an item on my backlist of which I remain quite proud.

Enjoy a few panels at the right, but don't mess with me. I've got a Creative Commons license.

Addendum

I almost forgot. The audio drama for which I'm providing my voice is zombie-themed. I am in the midst of zombie. Details on that as they develop.

Addendum II
Apparently at least the second part of Sirens is available on ebay at the moment.

What's on The IPod - The Ten Cent Plague

Speaking of horror comics, as I was in the last post, there's a new and really good book about the history of the four-color pages called the Ten-Cent Plague by David Hajdu. Everyone from Slate to the New York Times has talked about it so I know this is a news flash to all.

It's practically required reading for comics aficionados. I've certainly learned a lot listening to the audio version, authoritatively narrated by Stefan Rudnicki. (Listen to a sample at Audible.)

I first read of Fredrick Wertham and his book Seduction of the Innocent in the introduction to Jules Feiffer's The Great Comic Book Heroes, purchased for its plethora of Golden Age reprints when I was a kid.

My parents--who lived through the '50s but missed out on the comics hoopla, probably focused more on concerns of Communism and atomic war--were appalled by the discussions and the suggestion Batman and Robin and Wonder Woman might have subtext on homosexuality and bondage respectively.

Historic Detail
The Ten Cent Plague offers great details on the history of illustrated narratives with quotes and insights from some of the early creators before it gets around to its examination of Wertham and the gasps about EC style horror comics.

I'm a casual student of comics history, but as I mentioned the book offers up great details and tidbits I'd never encountered, everything from tales early newspaper syndication to facts about Will Eisner, Bob Kane and William Gaines of Mad Magazine fame.

A few things I probably should have picked up before now:

• Eisner's The Spirit--one of my favorites--had a lookalike rival named Midnight. That he had a different name was unique. Rights not being what they are today in the early days of pen and ink storytelling, you might have rival newspapers each running their own version of The Yellow Kid or the later tales of errant immigrant youth The Katzenjammer Kids.
• Wonder Woman's creator William Moulton Marston really did have a thing for bondage and he had a wife and another woman living with him.
  
• M.C. Gaines and his son William didn't get along all that well.

There's much more to learn as Hajdu follows the post war evolution of true crime stories, self-regulating boards and early cries for restraint in a day when everyone, not just kids with broken XBoxes, read funny books.

Free Comics Get the Bump

Updated - see below

Roland turned me on to WOWIO, a site for advertising-sponsored ebooks. It includes quite an array of comics as well as novels and non-fiction.

Basically after you sign up and prove you're you for the advertisers by one verification method or another, they generate .pdf files with a full-page ad up front. I used a permanent e-mail address to qualify myself and that took about a day.

The eproducts are customized with your name, so they know if you passed the book on, kind of like those screener DVDs from the Academy, I suppose. You can download three items a day, by the way.

I was pleasantly surprised by the comics selection. Moonstone even has a few titles in the mix including a couple of its graphic novels featuring The Phantom--the ghost who walks in purple--and an adaptation of the original Kolchak novel/movie.

Bump
My discovery in the mix is a comic book adaptation of a film called Bump. It's apparently in the works with Tobin Bell slated to star. Apparently he's the only one cast so far, but they're working on that according to the official website.

The comic, from The Scream Factory, is a beautifully drawn horrorfest. At first I was thinking, "Well this is another The Hills Have Eyes," but things twist and turn pretty quickly with a scary prologue focusing on a killer reminiscent of the real life Ed Gein who also inspired Psycho and The Texas Chainsaw Massacre.

Then we jump ahead 30 years to a group of people who wind up trapped in the killer's farmhouse where he's not dead and neither are his victims.

I suspect reading the book on-screen as a .pdf is a plus especially when you get to the action portions where I got a sense of movement, scrolling upward as large, flashing panels revealed chases and scares.

I was a little dissatisfied with the ending, but all in all a nice--though be warned: gory-- four issues.

I've also snagged a few other titles so far including a Moonstone adaptation of The Mysterious Traveler, a new spin on the old radio series giving the traveler a role more significant than host, and a series called Carnival of Souls that seems to be more than an adaptation of the classic early indy horror flick with waltzing zombies. I should mention there are also some '50s classics in the mix. EC-flavored if not actual EC titles, and some of the artists represented include Jack Kirby and Joe Kubert. You'll also find, I think, the complete run of Clive Barker's Tapping The Vein, comic adaptations.

And I haven't even gotten around to checking out the mystery novels yet.

Addendum
(Posted 4/10/08)
Troy Brownfield from The Scream Factory dropped by to comment earlier in the week that more Bump casting news would be coming soon. He wasn't kidding.

Young Indiana Jones himself Sean Patrick Flanery will be playing Bret and Hellraiser's Ashley Laurence will be Elaine. They are now attached to the film according to The Scream Factory's My Space Blog. They're a troubled couple who get stranded in the horribly haunted house where much of the story takes place.

Masters of Terror - Black and White Terror

As I've mentioned, paperback anthologies darkened my back-to-school autumns when I was in junior high. I was introduced to Ray Bradbury, Robert Bloch, August Derleth and of course H.P. Lovecraft in selections from the Teen-Age Book Club.

Marvel and Warren's black-and-white horror comics brought fear to my summers and furthered my education of the horror greats. The other night--serendipitously, I think, the same night Cliff was writing Horror Can Be Comic--I was digging through several boxes of comics to locate issue #1 of Masters of Terror from Marvel.

The mag introduced me to Theodore Sturgeon's "It" which came along before Stephen King's pronoun-titled tome. It also includes Robert Bloch's "Yours Truly, Jack the Ripper"-- in which a police detective partners with a psychologist to track down a modern-day ripper. It was new to me then, long before I discovered it had been adapted as an episode of "Thriller."

Robert E. Howard's work in the horror field was also featured. Masters presented Howard's "The Horror from the Mound," an adaptation that looks like it probably started out in one of their four-color comics. It features art by Frank Brunner
and pits a cowboy against a vampire.

"The Drifting Snow" by Derleth and "The Terrible Old Man" by Lovecraft.

It was an impulse buy, probably because there were no new issues of Vampire Tales or Vampirella, but it was a good choice, 76 pages of chills.

Cliff rememers more issues, but unfortunately #1 was all I ran across. Maybe I'll scope out the next on ebay.